is done. At least its first full draft. (I ended up finishing the wrong novel, not William McKinley’s World. Oh well. Still working on that.) A place holder website on some matters that come up in the novel right here. Yep, it includes Elvis. And Muhammad Ali. And Gus, the polar bear of Central Park zoo. And the stories of six women moved by loss. And, of course, Balangiga, which I know too much about. Finishing a novel is like shedding research notes, fact after fact, coming off like scabs.
I bought this stereo card by bidding on it. It went quite high—up to forty-five bucks—but look at it. It is haunting.
This article researches facts in history related to details in the novel The Revolution According to Raymundo Mata. While not ingenious, it is earnest, and I enjoyed looking at how the researcher figured some of the novel’s puzzle out. There are so many pieces of the jigsaw puzzle in this layered novel that it is satisfying when a person at least figures out even one corner of the complex piece. Good job, filipiniana.net! (It is hard, I guess, as the writer, not to point out where some spots are missing and how to find them; but I will refrain and maybe in a hundred years others might figure it out, who knows; the novel, if figured out completely, is meant to shed light on multiple resonances among and between history, reading, language and art with the revolutionary period of the Philippines as the emblem of that fascinating intersection, between history, reading, language and art, by which, I think, we experience our humanity.)
An interesting recognition here by the researcher, the last sentence of which is important—a lot more can be said about the metafiction the novel involves, but it is a good start, and smart: “In the novel, glimpses of this historical phenomenon are seen from the point of view of Raymundo Mata who has always been known as a blind man. The first part tells how he learns the alphabet, spends time at the Binakayan stream with his playmates (including Emilio Aguinaldo), begins his formal education, and develops a passion for reading. His childhood coincides with the onset of the revolution, as seen in his entry about the Terror of Cavite which serves as a backdrop for events in his youth. The revolutionary setting is further hinted at by Mata’s inclusion in the manuscript of a short story written before he and Aguinaldo become members of the Katipunan. This part of the novel highlights its metafictive element, being a fiction (the short story) within a fiction (Mata’s journals) within a fiction (the novel) and nonfiction (the execution of Bonifacio) within a fiction (the short story) within a fiction (Mata’s journals) within a fiction (the novel).”
Valeriano Abanador, hero of Balangiga, in August 1901 with American soldiers of Company C. In September he masterminded the plan to kill them.